Download PDF , by Darick Robertson Warren Ellis
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, by Darick Robertson Warren Ellis
Download PDF , by Darick Robertson Warren Ellis
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Product details
File Size: 83014 KB
Print Length: 144 pages
Publisher: Vertigo (December 4, 2012)
Publication Date: December 25, 2012
Sold by: Amazon Digital Services LLC
Language: English
ASIN: B009POHIE8
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Amazon Best Sellers Rank:
#107,967 Paid in Kindle Store (See Top 100 Paid in Kindle Store)
The visual symbolism in Spider Jerusalem's transformation from an Alan Moore looking misanthrope in the mountains to a vaguely Grant Morrison looking misanthrope in the city is apt. One part, social critic, one part, Hunter S. Thompson, and one part, revenge/power fantasy for liberals and populists; Ellis's future is bleak, manic, and over-stimulated and Spider's foul-mouthed, scatological observations always seem to the deliver. It is also almost impossible to downplay how much Darick Robertston's art--over-detailed and highly manic--aim the comic, often fleshing out small parts of the world in an oversaturated dystopia that feels bright, over-worked, and overly busy but always fits the mood without going into gothic, grim-meat hook futures. Imagine Bladerunner with much better lighting. Highly enjoyable, concerned with world building, politics, and character and only feels slightly dated from its origins in the late 90s.
Transmetropolitan shows Warren Ellis at his absolute best. Set in a futuristic New York City, Ellis begins with a fantastic satire of news, politics, and entertainment.Meet Spider Jerusalem. An anitsocial journalist forced out of his temporary retirement by lawyers, Spider embodies the two things we love about antiheroes, he'll fight against all the corruption and exploitation in the world, while still raging at the complacent citizens who let it go on. In this volume, he covers stories about the human-alien hybrid movement, the presidential election, television, and the new religions popping up like weeds. Ellis writes fantastic dialogue and brutal sarcasm to immerse you in these scenes. The artwork is also great, with Robertson loading the background with details and gags so that you want to read every panel twice.This looks like it's going to be one of my favorite Vertigo series.
Wit and humor = 5starspolitical savvy = 5starsSocietal Critique = 5 starsImagination = 5 starsArtwork = 10 STARSThe only problem I had with this is the main character, Spider. I thought it was too much of a hyperbolic depiction of Hunter S. Thompson set in the future. There were too many clear parallels between the famous "doctor of Journalism" and the protagonist. I couldn't help but picture Thompson doing all of these things, and the problem was that I couldn't see Thompson acting in this way (even if he was supposed to be Raoul Duke).I truly appreciated the writing whenever Spider began using his journalistic voice, but he actions and dialogue seemed off to me. I'm hoping this was an attempt at an explosive first couple of issues and that the character will simmer/settle in the subsequent volumes.All said, 10 out of 10 would recommend!
From the opening issue I remember reading hunched over my computer five years ago, the series four or more years defunct already, this has been my absolute favorite serial comic. Living in a future that is a caricature of the present, and that has only grown more gut wrenchingly accurate since these issues were first published, our hero Spider Jerusalem attacks the evils of his world with naught but keyboard, camera glasses, his lovely assistant, and a vast arsenal of mind altering chemicals. Its the kind of antics real life heroism is made of, the stuff you want your journalists out doing, and as our world's news cycle has become more and more white washed and vapid, Spider has become the only comic book hero that has any real need to exist in real life. He transcends the boundaries of the comic book as a fantasy place where fantasy people solve fantasy problems in fantasy ways, by fighting metaphors for our problems in a real way, the way real people can and should be fighting them. Takes all the lessons the medium gained from the graphic novel form and creates a serial that cuts to the bone nearly every issue.Aside from praise for the series, the volume itself arrived well bound and vibrantly printed.
This is a very interesting comic series; a lot of the issues that are discussed in this are still very relevant today (remember, this was written around 1995-1997). Trans-humanism, transient-ism, and hardcore journalism are the highlights here. I recommend it, but with one caveat: it is pretty rough. Definitely not for kids.
This is one of the best series every written, in my opinion. If you were to take the topic matter discussed throughout all 10 volumes and have it written today, it'd be no different. Granted, politics is timeless in the worst way possible, but Ellis really hit the nail on the head with his characters, setting, and overall views. A must read for fans of comic books, political commentary, and Hunter S. Thompson.
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